So far this tiresome blogging thing has yielded a grand total of one invitation to sing the Nelson Mass and a solitary, tone-deaf singing pupil. Time to take matters in my own hands, so-to-speak. Either that or else be sucking up to Anthony eternally to stand me for a half of mild and buying up the out-of-date stuff in the local supermarket. Nothing ventured, nothing gained and all that. And so the other day I thought I'd try my new responses on the DoM.
'Had a chance to look at them?' I asked, as casually as I could manage and without a trace of any of my usual hostility towards the over-talented imposter. And, blow me if the blighter didn't say that as a matter of fact he had! Having girded myself to fight the good fight on behalf of my compositional inspirations, I was somewhat nonplussed by his response to my responses. 'Yes' he went on. 'And the Precentor thinks they could be very useful.' Well, I thought - at last some recognition of my talent. 'He thinks they'd be extremely good as sight-singing exercises for our choral scholar applicants, although I had to tell him that - as completely unsingable nonsense - forcing them on anyone of talent would be rather unfair. We don't want to frighten off the youngsters, do we? The Precentor is completely unmusical, you know. Knows nothing at all about these things.'
I resisted the temptation to add that he was not the only one in the cathedral suffering from such epistemological deficiency and snatched back the autograph copy of my masterpiece. So if anyone out there is looking for a set of new and challenging responses - only slightly torn - please let me know. Far from being 'unsingable' they represent to my mind a genuis of musical synthesis, drawing inspiration from the great mediaeval plainsong tradition, the flowering of early polyphony, and the choral works of Giles Swayne. As such, it must surely be unique among the canon of Anglican church Preces and Responses. Imagine the opening of Swayne's Magnificat, combined with the Kyrie from Missa Papae Marcelli and - quite frankly - you're still nowhere near the mark. Hmm - on second thoughts, perhaps the pompous ass of a Precentor has a point. Sight-reading stinkers, anyone?
Frederick Delius: Air & Dance for string orchestra
-
Frederick Delius’ (1862-1934) *Air and Dance *is a ‘wartime’ work that was
composed in 1915 whilst the composer and his wife were living at Grove Mill
Ho...
7 hours ago
3 comments:
I sincerely hope your blogging business will bring you hundreds of pupils. In the meantime you can go here or there.
Please, keep on writing. I have your blog in my Google Reader.
My spiffing name is Dutch and pronounced as Hoa-gah-boam.
Well, how kind Mr Hoogelboom. But what on earth is your 'Google reader'?
A Google Reader is a very handy and handsome thing, I can tell you.
On top of your screen, on the third line, you see a little orange square.
Click on that thing, and you’ll see what you get.
Normally one goes surfing on the net, which costs time and effort.
With the Google Reader one gets the pages, sites and what have you, go directly to you. It makes an advanced internet user of you, says an American site.
Post a Comment